
In Olio Live—a very special one-night performance recorded live at the Minetta Lane Theater in February, 2019—poet Tyehimba Jess introduces listeners to his 2017 Pulitzer Prize-winning collection, Olio.
A stellar cast of actors, accompanied by pianist Jeremy Gill, performs a selection of poems from the collection, all of which reinterpret the lived experience of real historical figures. You’ll meet William “Blind” Boone, who testifies to Scott Joplin’s greatness at a time when “Alexander’s Ragtime Band” by Irving Berlin used uncredited sections of Joplin’s work; Sissieretta Jones, an operatic star who elevates what a “revue” show could be; and other African American musical stars of the early 20th century. Despite the Emancipation of African Americans and the rise of Tin Pan Alley, these gifted composers and musicians continued to experience appropriation of their work and, often, lack of remuneration.
In this context, the word “olio” also means a hodgepodge, or a miscellaneous collection of literary or musical selections; taken as a whole, the triumphant performances of Olio Live ask listeners to consider the nature of identity, performance, and ever-present history. Tyehimba Jess and Yahdon Israel immortalize and embody a long tradition of African American “citizenship through musicianship” in this timeless live audio.







General Bethune renamed the child Thomas Greene Bethune or Thomas Wiggins Bethune (according to different sources). Bethune hired out “Blind Tom” from the age of eight years to concert promoter Perry Oliver, who toured him extensively in the US, performing as often as four times a day and earning Oliver and Bethune up to $100,000 a year, an enormous sum for the time,”equivalent to $1.5 million/year [in 2004], making Blind Tom undoubtedly the nineteenth century’s most highly compensated pianist”. General Bethune’s family eventually made a fortune estimated at $750,000 at the hands of Blind Tom.
In 1875, General Bethune transferred management of Blind Tom’s professional affairs to his son John Bethune, who accompanied Tom on tour around the U.S. for the next eight years. In 1882, John Bethune married his landlady, Eliza Stutzbach, who had demonstrated a knack for mollifying Tom’s sometimes volatile temperament. However, shortly after their marriage, John Bethune embarked on an extended tour of the U.S. with Tom, in effect abandoning Eliza Bethune. When Bethune returned home eight months later, his wife filed for divorce. The couple split up—John took Tom—but a bitter legal squabble ensued, with Eliza hounding John for financial support, a claim that the courts usually adjudicated in John’s favor. After John Bethune died in a railway accident in 1884, Tom was returned—over Eliza’s objections—to the care of General Bethune (now living in Virginia). Eliza sued General Bethune for custody, with Tom’s elderly mother Charity enjoined by Eliza’s attorney as a party in the plaintiff’s suit. After a protracted custody battle in several courts, in August 1887 Tom was awarded to Eliza, who moved Tom back to New York. Charity accompanied them with the understanding that she would benefit financially from Tom’s earnings. However, after it became apparent that Eliza did not intend to honor any financial obligations to Charity, Tom’s mother returned to Georgia.
























